The hardest part of getting a book published is the actual writing. All it takes to see this is the number of people who dream of publishing a book but never manage to hammer out a rough draft. I spent 20 years trying to write my first novel before I finally pulled it off. It’s not unusual for an aspiring writer to struggle for years and never produce a finished product to submit to agents or editors.
Once the hard part is done and a draft is written, there are two basic routes a writer can take. Much ink has been spilled over the past few years about the rise of self-publishing—even though the route predates Mark Twain and Benjamin Franklin. To self-publish requires hiring cover artists, editors, and typesetters or learning to do these things on one’s own. The difficult task of emailing a cover artist to hire her services is often used to frighten authors away from self-publishing. That’s because there’s a myth that authors are lazy, and a myth that some authors merely write for a living. No such creature has ever existed.
The alternative to self-publishing is to sign over your work to a traditional press. It sources the cover artist, editor, and typesetter for you. In exchange, it takes most of the income. This is sold as a fair deal, especially since it is said that publishers support authors while they write their novels by providing a livable advance. This is yet another myth: authors produce their first works while working another job; they are not given a year’s salary because they have an idea.
Read the rest at Publishers Weekly